Meeting

Dr. Mariachiara Gasparini: From Wool to Silk and Back: Development and Evolution of the Eurasian Roundel Motif

Photo courtesy of Carlo Cristi Collection In the 6th century, roundel motifs began to appear on wool and silk textiles in Chinese and Iranian territories. Through the spreading of Buddhism and Islam in the 8th century, textiles with beaded, lobed, and flowery roundels spread across Eurasia; they have been found in Christian Cathedral treasuries, Egyptian […]

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Far Flung Urban Moroccan and Greek Embroideries: Similarities and Differences

The presentation will focus on comparing and contrasting urban Moroccan and Greek Island embroideries. While both territories were isolated and ruled by the Ottoman Empire, they also had other outside influences. Morocco took inspiration from Hispano-Moresque styles, while Greek Islands were inspired by the Balkans and Italy. Established by Yosi Barzilai in SoHo in 1989,

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Safavid Dynastic Vision: Shah Tahmasp’s Commission of the Ardabil Carpets

11:00am EDT / New York RSVP: https://www.hajjibaba.org/meeting-rsvp/ Woven as a monumental pair for the Safavid dynastic shrine in northwestern Iran, the iconic Ardabil Carpets are celebrated today as masterpieces of sixteenth-century design and technique, and are located in London’s V&A Museum and the Los Angeles County Museum of Art. The acquisition history of the two

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Stefano Bardini and the International Carpet Trade at the End of the 19th century

Stefano Bardini (1836-1922) was the undisputed leading dealer of the Italian and European Antique Art Market between the end of the 19th and the beginning of the 20th centuries. He was regarded as an art expert and true connoisseur and therefore nicknamed ‘The Prince of Antiquarians’. Bardini was born in Tuscany, on April 13th 1836

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Hidden in Plain Sight : A System of Markings in Oriental Rugs

Many traditional weavings, from a vast geographical expanse, exhibit what appear to be improvisations, variations, or indeed mistakes. At times, these variations can be quite dramatic, somewhat incompatible with the deliberate process of weaving, which raises the possibility of intention. By considering this alternative, it is possible to reinterpret a substantial portion of these apparent

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